The Music Serenade

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  Thoma Simaku    
       
 

Born in Albania in 1958, Thoma Simaku studied composition at the Albanian State Conservatoire in Tirana with Tonin Harapi. After graduating he worked for three years as Director of Music at the Palace of Culture in Permet, in Southern Albania.

His output from these years include a symphony for strings, two concertos for violin and one for oboe, a scherzo for strings, a ballade for violin and string orchestra, various instrumental pieces and music for six films.

In 1991 he came to England for a period of work-experience with the music publishers Emerson Edition in Yorkshire. During his stay he submitted some of his works to the Music Department of York University and was offered a post-graduate course in composition with David Blake. In 1972 he won an Overseas Research Students' award and in July 1993 he was awarded the prestigious Lionel Robbins Memorial Scholarship which enabled him to complete his studies towards a DPhil. degree in composition.

 
       
 

He has received several commissions and performances have included those by the Orchestra of Opera North, European Union Chamber Orchestra, Amsterdam New Music Ensemble, Radio-Bucharest Chamber Orchestra, Capricorn Ensemble, the Duke String Quartet and the Geneva Conservatoire Quintet. His music is performed worldwide and broadcast by various European radio stations.

His ‘Canticello’ for cello and orchestra was performed at the ISCM World Music Days ’99 in Bucharest, whereas ‘Soliloquy’ for violin solo was one of the highlights of the 2000 ICSM Festival in Luxembourg, where it was given its world premiere.

‘Plenilunio’ for 12 solo strings - written for, and premiered by, the European Union Chamber Orchestra - has now been selected for performance at the World Music Days 2001 in Yakohoma, Japan. Simaku’s music is published by University of York Music Press and Emerson Edition. He is now based at the University of York where he holds an Arts & Humanities Research Board (AHRB) Fellowship in the Creative and Performing Arts.

List of main works composed since 1991

String Quartet (Duration : 9') (Emerson Edition)

First performance in 1993 by the Duke String Quartet in the Park Lane Group Series at Purcell Room in London. It has also been performed in Geneva and Zagreb.

 

Wind Quintet - Hommage à Stravinsky (9') (EE)

First performance in 1992 by York University New Music Group at Sir Jack Lyons Concert Hall. 

 

"Epitaphs" for String Orchestra (18') (EE)

Commissioned by the Music Department of York University, first performed by the University Chamber Orchestra on 3 November 1993. Selected by the International Jury of the ISCM for the 1995-World Music Days Festival in Germany.

 

"Elephas-Maximus" for thirteen wind instruments (9') (EE)

Commissioned by "The Elephant Trust", first performed by York University New Music Group on 9 December 1993.

 

Quintet for clarinet in A and strings (12') (EE)

First performance at ISCM-Albanian Section Festival on 4 November 1996 in Tirana.

 

"Aux Quatre Vents" for eight instruments (18') (EE)

First performance on 22 November 1996 by the Thallien Ensemble at the Birmingham Conservatoire.

 

"L’Aria Distante" for oboe and chamber ensemble (12') (EE)

First performance on 8 December 1995 by the York University NMG. The American première was given on 21 July 1996 by the Fellows of the Tanglewood Music Centre conducted by Stefan Asbury at Seiji Ozawa Hall.

 

"The Eagles" for brass ensemble (5') (EE)

Written for the London Brass Ensemble.

 

"Silver" for choir and piano (6') (EE)

Commissioned by the New London Children’s Choir with funds provided by the R V Williams Trust and first performed on 21 March 1996 at St John’s Smith Square in London.

 

"Andante" for violin ensemble (7')

Commissioned by the Association of German Schools of Music in Dusseldorf.

 

"Tanglewood Trio" for clarinet, viola and piano (7') (EE)

Written during residency as The Leonard Bernstein Fellow in composition at the Tanglewood Music Centre in the USA, it was first performed on 13 August 1996 at the Seiji Ozawa Hall. The UK première given by the Capricorn Ensemble on 14 January 1998 at York University.

 

"Penta..." pour treize instruments à cordes (10')

 

"Canticello" for cello and orchestra (15')

Written to a commission by the Phyllis Gardiner Trust, first performance was given on 9 October 1997 by Nicholas Roberts and the New London Orchestra at St John’s Smith Square, London.

 

" Stanze Sonore" for chamber ensemble (12')

First performance to be given on 16 November 1997 by the Black Hair Ensemble at the Late Music Festival in York.  

 

"Silver" for Choir & Piano (1995) Duration: 6 min.

Commissioned by the New London Children's Choir with funds provided by the Ralph Vaughan Williams Trust and first performed on 21st March 1996 at St. John's Smith Square in London, conducted by Ronald Corp.

"The Eagle on the Cross" for full orchestra (1995-96; Duration : ca. 17 min.)

Selected for the 1999 National New Composers' Forum, the first performance was given by the English Northern Philharmonia conducted by Elgar Howarth at the Spring Festival of Contemporary Music on 30 April 1999 at Sir Jack Lyons Concert Hall at the University of York. It was subsequently chosen as a set work for the 1999 National Conductors' Competition in Leeds.

".... the technical command, dramatic pacing and vivid orchestration made for a seriously impressive musical essay with a real sense of purpose and outrage."    (Yorkshire Evening Press, 1st May 1999).

 

"Soliloquy" for Solo Violin (1998; Duration: ca. 8 min.

The first performance was given on 4th October 2000 by Vania Lecuit at the ISCM World Music Days in Luxembourg; followed by a performance at the St. Merri Church - Pompidou Centre in Paris on 4th November 2000.

"It is a piece of unaccompanied violin writing which brings out the instrument's genius for passionate expression, fully realised in the young Luxembourg violinist Vania Lecuit's riveting interpretation"  (Seen & Heard-music web. uk)

"Plenilunio" for twelve solo strings (1998; Duration : ca. 10 min.)

Plenilunio - the Italian version of a poem by the Greek poetess Sappho, translated by the Nobel prize winning Sicilian poet Salvatore Quasimodo - was written for the European Union Chamber Orchestra. The first performance was given on 26th February 1999 at Central Hall, York University by the EUCO conducted by Lavard Skou Larsen.

This work has been selected by the International Jury for the 2001 ISCM - World Music Days in Yakohoma, Japan.

 

"Illuminazione" for Chamber Ensemble (1998-99; Duration: ca. 12 min.)

(fl/picc, ob, cl/bcl, hn, pno, 2 perc, vl, vla, vc)

Commissioned by The Music Serenade (a chamber ensemble of Opera North players) with funds provided by the Yorkshire & Humberside Arts Council. The first performance was given in the summer of 2001 at the North Aldborough Festival.

  For  Thoma Simaku's homepage go to  www-users.york.ac.uk/~ts8